Writing about writing. Mostly.
Amazon and Bookbub offer great marketing tools. And they’re free! by Ruth Harris Yeah, we know… A BookBub feature will rocket your book skyward. Stacked promos can help you tickle the algos and ride the tsunami. A great launch strategy well executed can get your book a bestseller badge. But all these options are pricey—especially […]
by Anne R. Allen One of our most popular posts in recent years has been a guest post from mystery author Sue McGinty. She wrote about Hometown Marketing, and the importance of getting our books known in our own communities. It helps if you’ve written those books with that community in mind. Not just to […]
Children’s voices can be difficult to get right. by Gail Aldwin For writers who want to improve their practice in using children’s voices in their work, one of the best places to start is by reading authors who use young narrators in their fiction. By reading like a writer, it’s possible to not only get […]
Unsupportive friends and family can make us feel separated from the world. by Anne R. Allen I’m always amazed at how many people I know — friends who would go out of their way to help me physically — cannot say one supportive thing about my writing. Some even ask for one of my books […]
by Ruth Harris What can we learn from authors who have gone from obscurity to success? The Everyday Star Are you dreaming of being a *superstar* like Stephen King or Nora Roberts? Really? Think about it. How realistic is it to imagine that you, too, can be SK or NR? Do you have any idea […]
By Nate Hoffelder With COVID-19 slowly becoming less of a pandemic, it looks like it might be safe to start gathering again in large groups. This means that it is time for introverted authors to start brushing off their people skills and get ready to meet readers at book fairs and public events. After 18 […]
Do you repeat redundancies over and over? Find out now! by Kathy Steinemann Hello there. How are you today? Are you ready to test out your redundancy eye? You might ask, “Why should I care about redundancies?” Before we begin, I’ll answer that question. Redundancies are superfluous words or phrases also known as pleonasms: the […]
Self-publishing isn’t about the author. It’s about pleasing the reader. by Anne R. Allen Easy self-publishing and the introduction of the e-reader brought seismic changes to the publishing world a decade ago. The “Kindle Revolution” propelled a bunch of smart authors from the slush pile to the top of Amazon’s bestseller lists. Suddenly writers had […]
by Ruth Harris The style sheet is a writer’s secret power — and best friend. A style sheet will save you time, frustration, and money. A style sheet will save you from yourself and prevent you from making the kind of mistakes that will send readers fleeing and guarantee one-star reviews. If you’re writing a […]
How to make your literary journal submission jump from the slush pile By Meredith Allard I’m the executive editor of The Copperfield Review, a literary journal for readers and writers of historical fiction. Since 2000, I’ve read thousands of submissions of historical short stories and history-based poems. Despite what you might have heard, literary journals […]
When those “dreams come true” are publishing scams… by Anne R. Allen Because I have a lot of articles out there on publishing scams, I get frequent messages from writers who fear they’ve been ensnared by a scammer. I hear even more often from their friends. These friends or relatives see something iffy going on, […]
By Melodie Campbell Many of you know that in addition to being a writer of mob heist novels, I’m also the past Executive Director of Crime Writers of Canada. (For my sins. Of which I’ve lost count…) I’m just coming up for air after serving as a judge for the Crime Writers of Canada Awards […]
by Anne R. Allen One of the things that will get you an automatic rejection from most agents—and a swift toss to the DNF pile from a lot of readers—is an unsympathetic character. Especially an unsympathetic protagonist. Personally, I have to admit if there’s nobody in a story I care about, I’m out of there […]
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