Anne R. Allen's Blog... with Ruth Harris
Writing about writing. Mostly.
by Anne R. Allen I love to listen to local storytelling events — the ones that mimic the NPR “Moth” Radio Hour stories. They’re popular again in this area after the long shut-down. People gather around to tell true stories about events they’ve experienced. Alcohol or caffeine may be involved. I say they “mimic” the […]
Story conflict doesn’t need to involve violence. by Becca Puglisi Story conflict has many purposes. It provides opportunities for failure and growth, elevates what’s at stake, and escalates emotion for the character and readers. We also know that our stories will need many instances of conflict, both at the story (macro) and scene (micro) level. […]
by Ruth Harris OK, admit it. You’re one of them. You’ve walked the walk of shame. You threw up your hands, flew the white flag of surrender, and gave up. That book, the one you started with such high hopes, is dead. It bit the dust mumble-mumble years (decades?) ago. Now it’s a ghost, a goblin, draped […]
by Anne R. Allen “Chapter titles!?” sez you. What is this, the 18th century? What am I supposed to write? Something like this? Chapter the first, in which our hero is born, discovers that fire is hot, learns to pull up his own breeches, and slays a smallish dragon. Hey, those 18th century writers knew […]
By Anne R. Allen Most writers have probably heard of “Upmarket fiction.” But you may have questions about it. Like, when should you use the term? And how do you figure out if your novel fits in the category? Is it considered a genre, like Romance or Mystery? And is it the same as “Book […]
by Ruth Harris You worked hard. You pored through reference books, consulted Google and maybe even — gasp! — went to the library to do research. And you made certain the characters were dimensional and well drawn. You spent time creating a solid, intriguing plot and writing zingy dialogue. You paid attention to your beta […]
by Jodie Renner With so many authors self-publishing these days, the best freelance editors are in high demand. So if you’re looking for a knowledgeable, experienced professional editor to help you make your manuscript the best it can be – and improve your overall writing skills in the process – be sure to take some […]
by Anne R. Allen Clichés exist for a reason. A whole lot of people like them. That means they get over-exposed. Clichés represent a natural way of thinking. So don’t feel bad if your first draft has a clichéd opener. It’s part of the process. Here’s the most important thing for a new writer to […]
Children’s voices can be difficult to get right. by Gail Aldwin For writers who want to improve their practice in using children’s voices in their work, one of the best places to start is by reading authors who use young narrators in their fiction. By reading like a writer, it’s possible to not only get […]
Do you repeat redundancies over and over? Find out now! by Kathy Steinemann Hello there. How are you today? Are you ready to test out your redundancy eye? You might ask, “Why should I care about redundancies?” Before we begin, I’ll answer that question. Redundancies are superfluous words or phrases also known as pleonasms: the […]
by Ruth Harris The style sheet is a writer’s secret power — and best friend. A style sheet will save you time, frustration, and money. A style sheet will save you from yourself and prevent you from making the kind of mistakes that will send readers fleeing and guarantee one-star reviews. If you’re writing a […]
By Melodie Campbell Many of you know that in addition to being a writer of mob heist novels, I’m also the past Executive Director of Crime Writers of Canada. (For my sins. Of which I’ve lost count…) I’m just coming up for air after serving as a judge for the Crime Writers of Canada Awards […]
by Anne R. Allen One of the things that will get you an automatic rejection from most agents—and a swift toss to the DNF pile from a lot of readers—is an unsympathetic character. Especially an unsympathetic protagonist. Personally, I have to admit if there’s nobody in a story I care about, I’m out of there […]
