by Anne R. Allen What’s over-workshopping? It’s what happens when writers attend too many writing workshops or critique groups where they’re fed dogmatic, my-way-or-the-highway rules. Following rules too closely can slow down your story (and your career.) It can also eliminate what’s creative and original in your work. You can spend years schlepping that […]
4 Paths to Redeeming Your Villain
by Becca Puglisi Have you ever fallen in love with a story villain? Or at least found yourself liking them somewhat against your will? Seems a little weird, experiencing all the happy feels for this character, but I think we’ve all been there. When a villain is well written and well rounded, they can tug […]
“I Don’t Like Your Tone!” The Importance of Tone in Writing
by Anne R. Allen I’m sure everybody remembers the teacher or parent who told you they didn’t like your “tone” when you were being a snarky adolescent. Or a whiney brat who wanted a cookie right before dinner: “Oh, right. I’m going to ride my bike to the dance? Like I’m 10 years old?” […]
Radical Revision: When the Going Gets Tough, Writers Get Radical
by Ruth Harris The lights are red. All signs are Stop Signs. That stack of pages you thought was going to be a book? You know, with characters, a setting, maybe even a plot? Somehow, it vanished in a wasteland of false starts, dead ends and dead darlings. Why? What happened? You’re the author — […]
Slender Man: Using Real Crime as Inspiration for a Novel
By Gary Braver Like other crime novelists, I keep a file of real cases. Not only do these serve as ideas to draw from, but they give authentic grounding while inspiring me to learn more about the perpetrators and their victims. What caught my attention at the onset of my latest novel, RUMOR OF […]
How to Write a Compelling Transition Sentence
A transition sentence is like a bridge by Ruth Harris At a writers’ workshop, I once heard a beginning writer talk about how it had taken him almost all day to write a paragraph describing his character waking up in his bedroom upstairs and going to the kitchen downstairs to make breakfast. “He made eggs […]
Your Writing Superpower in a World of AI
by Jim Denney I’ve been concerned about various threats from artificial intelligence for several years — threats to the economy, threats to our civil society, and even threats to human existence. I became even more alarmed about artificial intelligence when I discovered that AI systems are chronic, pathological liars. In early 2023, I began […]
Terrible Advice Writers Should Ignore from Social Media Friends
by Anne R. Allen I see terrible advice in online writing groups and blog comments all the time. Sometimes I step in and gently disagree. But mostly I don’t. Arguing with people on social media is an exercise in futility. So I get to express my opinions here. It’s great to make friends on […]
What A Female Writer Should Keep in Mind When Writing A Male Character
Remember Fabio’s male character was only a fantasy by Harry Bingham For a female author, the construction of a genuine, well-rounded male character offers a unique chance to cross gender barriers and explore a broad range of experiences. However, how to effectively dive into the male psyche? How do societal norms mold the actions and […]
How Can a Writer Show Multiple Points of View Without Head-Hopping?
By Anne R. Allen Point of view is one of the toughest things for a new writer to master when learning to write fiction. You hear terms like “omniscient, third person limited, second person, deep point of view, camera’s eye” etc. But it’s hard to figure out which one works for your story. And […]
Find Your Fictional Characters’ Energy Motivators
How an ancient philosophy of energy can help you create better characters by Deborah-Zenha Adams It doesn’t matter what genre you’re writing — characters are the lifeblood of your story. No matter how perfectly-plotted, tightly-structured, and wildly creative your story is, readers might not stick with it if the characters are hollow, bland, or just […]
What’s the Best Way to Learn to Be a Writer?
by Anne R. Allen I’m often approached by parents or grandparents of children who’ve shown a talent for writing. They ask how a child can learn to be a writer. Or sometimes a person going through a mid-life job change will ask my advice about going back to college to pursue a long-deferred writing dream. […]
9 Common Dialogue Problems—And How to Fix Them
by Anne R. Allen Learning to write effective, believable dialogue is one of the toughest parts of learning to write narrative — whether fiction or memoir. We don’t want to simply transcribe the way people actually talk, with all the pointless “ums” and stammery filler-things we say in real life. But we also don’t […]
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