by Ruth Harris
Here are Some Pro Tips And Tricks To Absolutely, Positively Raise Your Anemic R-Score.
Are you embarrassed by your pathetic R-quotient?
Do other writers sneer at your R-score?
Has your pile of rejection letters stalled out?
Have your R-levels been diagnosed as too low?
Has too much time gone by since your last rejection?
If the answer to any of these questions is yes, you must take immediate action.
Here’s some advice for those who feel they are missing out on one of the basic building blocks of a successful author’s career: Rejection.
For those who feel they are not paying their dues.
For every writer who is not receiving an adequate, soul-satisfying number of rejections, try these pro tips to help you pump up your pathetic, wimpy R-score.
1) Embrace the Jackalope.
From the gory, surgical details of a tummy tuck to the onslaught of grammar Nazis and an attack by vicious sabertoothed cave rats, you must heed the advice of everyone in your crit group.
By all means pay attention to advice from “experts” who know almost nada about your book or your genre.
For example — the James Bond fan who wants “more action” in your sweet, sensitive romance about disabled teenagers looking for love.
Or the James Patterson reader who wants shorter chapters in your elegant, carefully-considered literary deconstruction of Finnegan’s Wake.
Be sure to give in to the devastating ego destroyers whose nasty tone and censorious delivery cause you to go to bed for a week and even contemplate suicide. They must know what they’re talking about, don’t they, these hit-and-run drive-by “authorities” who aim right for your confidence?
Heed the amateur shrinks who want to know “motivation” of every character including the guy behind the counter at Dunkin Donut who serves a Double Chocolate Donut instead of the Boston Kreme Donut your adorable but scared alien from another planet ordered.
The counter guy must be suffering trauma cuz he screwed up the order. Or is he enduring an unhealed childhood wound? Or did he just get fired from the rotten job at DD he needs to pay the rent?
And what about the adorable but scared alien? Where is his family? His parents or grandparents? Does he have siblings? If so, where are they? What happened to them? If not, why not?
To guarantee producing an unreadable mess, and sure fire instant rejection, be certain to pay attention to every comment and your dreams of infinite rejection will come true.
If, however, you’d like to get your head screwed on straight and your book in its best shape, check Anne’s recent post warning about dangerous critiques.
2) Write the Best Horror-Thriller-Mystery Ever Created — and Send it to the Wrong Agent.
Your villain makes Hannibal Lecter look like a pussycat.
Your victims are so vulnerable, defenseless and forlorn they will make a stone weep.
The prose sparkles.
Your grammar is of such flawless perfection a revision of Strunk & White is being published at this moment to acknowledge your excellence.
The whole manuscript has been edited so scrupulously it contains not one single typo.
Your use of the Oxford comma and the activating hyphen are impeccable.
You’ve worked for years, neglected your spouse and children, let your dog go hungry and unwalked.
You’re survived without food and sleep.
The time has come at last for submission. Which lucky agent will get first look at the best horror/thriller/mystery ever composed in Word/Pages/Scrivener?
Still determined to bulk up your wimpy stack of rejection slips? The answer is obvious. What you want is an agent who specializes in — Ta Da! — Romance.
However:
If you might just conceivably be interested in getting the best horror/thriller/mystery ever written actually published, why not do some research first?
Find out which agent(s) specializes in your genre. That agent will be up on all the latest developments in the market you’re trying to break into and will have close contacts with the editors who are looking for exactly what you write.
3) Cozy up to the Cliché for Guaranteed Rejection.
Oooooh, a hero dog!
Everyone loves dogs. One who’s smart — or maybe a smart-ass. One who talks! Maybe even uses the f-word.
Wow! A talking dog! A dog who talks dirty!
You want to reach the widest readership possible. So you think of a plot in which the smart/smart-ass/trash-talking dog helps the hero/heroine solve the crime/get the job/meet Mr/Ms Right.
What could go wrong?
Nothing?
Everything?
Every agent and editor in town has been there, read that. He/she has slogged through talking-dog plots a thousand (at least) times.
Yawn. Fidget.
Rejection guaranteed.
More Ideas from Cliché-ville:
Start your book with the MC looking into the mirror & contemplating The Meaning Of Life.
Or the girl who wakes up to find bite marks on her throat & realizes — OMG! — her rich, handsome, brilliant boyfriend is a vampire.
And don’t forget the where-am-I? opening: the guy/girl who opens the door to his house/condo/garage/office and steps in only to discover s/he’s somewhere in space, lost out there in a strange, far-away galaxy.
Moral: Read, Read and Read.
Become familiar with the work of the bestselling writers in your genre. Study — and then analyze — your market. Figure out what’s selling and what’s not selling.
If the characters or plot have been done so many times they’ve reached cliché status, you must come up with the genius twist, the brilliant why-didn’t-I-think-of-that angle?
4) Work the Phone.
Keep in contact.
Network.
Make the connection.
That’s what phones/email/video chat are for, aren’t they?
Call the agent you’ve just sent your manuscript to every morning and then again every afternoon. Be sure to track down his or her home phone/cell phone so you can reach out in the evening, too.
Don’t forget dinnertime so you can interrupt the meal.
Then again later to wish him/her good night. And don’t forget 3AM because you want to know is if s/he has read your book and give him/her an opportunity to tell you how wonderful it is and how your book is going to change the future of publishing.
Is that too much to expect? They’re professionals, aren’t they. Their living depends on their writers, doesn’t it? Of course they want to hear from you. They’re been on tenterhooks waiting for you to call. Of course they’ll drop whatever they’re doing to talk.
Of course they’re going to reject you.
Alternate approach:
Hands off the phone! No matter how anxious you are, no matter how desperate you feel, stifle that impulse.
Go to the gym. Binge on ice cream — chocolate or pistachio, your choice. Watch reruns of Law And Order.
Do the laundry. Fold the laundry. Put the laundry away.
Do anything! Just stay away from the phone.
5) Nail the Setting —Then Sabotage It.
You’ve written a Victorian-era romantic suspense novel.
And researched until your notes are longer than the manuscript.
You’ve had to get new glasses — your eyesight has deteriorated because of the time you’ve spent on Google and in the library.
Every frill and furbelow on your heroine’s dress is accurately described.
The descriptions of period architectural details from plinths to fascinated entablature would impress even Frank Lloyd Wright.
You’ve researched period hairstyles in such depth that your characters — literally — never have a hair out of place.
Then they open their mouths to speak.
“Been there, done that,” says your elegant, gentleman of high birth.
“Whatever,” shrugs the heiress he’s courting.
Ooops.
You’re into nails-on-a-blackboard territory.
You want an agent to shriek in horror? You’re hoping an editor will cringe and reach for the smelling salts? You’re on the hunt for rejection?
Congratulations!
You’ve just succeeded beyond your wildest dreams.
Watch your Language — and your Dialogue.
Just as fashion changes so does the way people speak. 1940’s slang is different from 1960’s slang and the way people talk today is different from the way they talked back in the 1950’s.
Listen to what people say — and notice the way they say it. Vintage movies provide a guide to appropriate dialogue: whether your characters are soldiers in World War II, gangsters in the 1930’s or ad executives in the 1950’s (Mad Men, anyone?)
6) Be a Trendsetter.
Just because every grammar guru insists that subjects and verbs have to match doesn’t mean that you have to be a slave to “the rules.” You’re much more imaginative than that! You’re a creative person. You don’t follow trends. You start them!
Just because professional writers heed the suggestions of proofreaders doesn’t mean you have to.
So what if “Sue” becomes “Margaret” halfway through your manuscript? The editor will know who you mean. After all, “Sue” and “Margaret” have the same color hair, don’t they?
Same thing with that tangle of it, its and it’s and the muddled thicket of antecedents. You know exactly what you mean and who you’re referring to. And, if you know, so will the reader.
Well, won’t they? Isn’t that their part of the job?
And just because Speed Kills, don’t for one minute think that applies to you!
Go ahead. Send out that manuscript sans editing, cutting, revision, proofreading. You’re different. Your first drafts are magic. Even your mother says so.
7) Adopt the Trademarks of the Lazy Writer.
Last of all, on your pilgrimage as you search for ever more rejection, be sure not to overlook the fallback habits of the lazy writer:
- Exclamation points infestation.
- Adverb excess.
- Adjective overload.
- Mind-numbing repetition of the same words and phrases.
- Comma mistreatment and semicolon abuse.
- Typo tolerance.
- Chronological screw-ups: Your medieval knight pulls an iPhone out of his shining armor.
So, scriveners, if you find the experience provided by rejection essential to your journey to fame and fortune, now you know exactly what to do and how to do it to achieve your goal.
Go forth and fail!
As day follows night, the rejection you crave will be yours.
by Ruth Harris (@RuthHarrisBooks) February 27, 2022
***
What about you, scriveners? Have you ever self-sabotaged with any of these “tips” and got yourself some rejection? Did you know these things would bring automatic rejection? I sure didn’t in my early query days.
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What’s funny is I will see the language issue in a book now and then, and one published by a big publisher. No wonder newbies think they can get away with it. (And the genre is usually fantasy – maybe that’s the excuse they use?)
Very funny way to get your point across!
Alex–and Everybody, I apologize for the WordPress elves, who seem to have got into the eggnog again. Ruth’s comments seem to all go to the bottom of the comment thread, instead of after the comment. Our webmaster Barb is working on it. Meanwhile, we’ve got to hope the elves will sleep it off.
Dead-on balls accurate, Ruth. Right, Anne? After many hide-thickening rejections early in this game, I found one foolproof way to avoid agent rejection. Stop submitting. All hail to the indie movement!
Another enjoyable post. Thank you, Anne.
:: Buzz Lightyear voice :: You’re mocking me, aren’t you?
Fantastic, and what a fun way to put it. See, everyone, success is in your reach, you just to redefine the goal.
This is a great post, Ruth! So hysterical! Oh my goodness! Notice all the exclamation marks. Oh dear, I better go back and take them out! All of your suggestions for failure are right on and superb ways to get that dreaded rejection letter. I thank you for making my day. You got your points across in a way that surely resonates with all of us.
Thanks, Patricia. Yeah. Better delete all the exclamation points. Gotta start somewhere. 😉
So glad to hear the post resonated with you!
Unfortunately, it’s not just the newbies who make these mistakes. Cue… the crime writer whose works are adapted for television who has an Irish character who calls everyone ‘boyo’ (Welsh usage). Or the American author writing about 19th century Britain who used the term ‘pinkie’ and had her character addressing the king as ‘Your Highness’ (‘Your Majesty’ is correct.) These errors are not just shortcuts or laziness, but arrogance… can’t be bothered to research it.
Thanks, Alex! Staffs at big publishers have been reduced so fewer editors, copy editors, proof readers etc. Which means more errors will slip through. Newbies should NOT emulate them!
Yay! Garry. Let’s hear it for thick hides — and your solution to rejection-misery. Creative people will always find a way to fight back!
Hi Ingmar, Ruth here. Thanks! Glad to hear you enjoyed it. 🙂
Hi Will—Thanks. Love your idea to redefine the goal! Brilliant!
Excellent point, Rosemary. Thanks!
Wonder if anyone ever called the queen “girlie” or the king “dude.” Wouldn’t surprise me. (I hope)
Hahaha! Great advice. I’m going to start working on these right after I finish painting my living room shocking pink. (My best friend says it’s all the rage.)
Thanks, Kay! Glad you enjoyed!
Shocking pink? Really? I heard the trend is for tomato soup red. Maybe reconsider?
I’ll check with my critique group and get back to you.
Brava Ruth. You’ve done it once again.
Hi CS! 😉
Thanks for the chuckle-fest, it really made my evening. 😀
‘
I think the only thing I’m guilty of was sending out an ill-prepared 1st draft for query purposes, plus maybe sending it out to the wrong kind of agents….oh and maybe…hmmm….I’m sure there were other issues but it’s been at least a decade plus since I’ve queried an agent.
On the other hand, language is something I try to get spot on, no matter what time period I’m trying to write. Nothing worse than having, say a nineteenth century setting and using 20th/21st century dialect.
GB—glad to hear my post entertained you! You *were* guilty but you’ve served your sentence! Now you’re free (as long as you mind your language). 😉
R-quotient? FFS!
Oh, RM! 😉
Everything you said in your post has happened to me multiple times. I refuse to participate in critique groups.
I enjoyed this immensely. I spent the day finalizing a contest submission, with that moment of sure knowledge of rejection the moment after pressing “submit”,
Lola—Aargh. 🙁
Hahahahahahaha!!!! And don’t forget to copyright your manuscript and tell the agent not to steal it. After all, your book will change will change the world!
Oh, God. Cryin’. Thanks for the LOLs, Ruth! I needed it today.
Sue —thanks! 🙂
Ha ha! Forget about the copyright & telling the agent not to steal the ms. Much more important to watch the $$$. There be crooked agents out there!
Ruth, you had me laughing out loud with this one!
I’ve been guilty of more than a few on your list.
I’ve even got a trusty tip to share:
Be sure to revise your manuscript during a COVID-induced episode of brain fog and submit it to an agent who’s previously expressed interest in your work.
To be fair, the world didn’t know anything about COVID brain fog when I committed this faux pas.
Luckily, I’m okay now and will re-approach the agent when I’m ready.
Linda—Thanks! We’ve ALL made these mistakes. It’s how we learn. Eventually. 😉
So glad to hear you’re OK now. Covid is an insidious beast.
Good luck with your re-approach.
Hi Anne,
It was a great read! All of these tips sound amazing. I think all of these tips will be very helpful in my process. I have been learning a lot from your blog, and this was certainly a great share as well. I gained a lot of insights and all of these will help me improve my process. I really appreciate you sharing these tips, and I am really looking forward to implementing them in my life. Thanks a lot for such a great share, it really was a very helpful read!
Hi John–This post was written 100% by my blog partner Ruth Harris. She’s great, isn’t she? Lots of great info woven into a very funny post.
What an amusing way to make your point. I loved it. I’ve not submitted to an agent for years, but I did do my research first. I hope I didn’t fall into any of the traps you mention.
As to critique groups, what you said is true. The group I am in is composed of writers, but even so, I find a romance writer, for example, will Critique my epic fantasy. They will focus, naturally, on the romantic subplot and not the main adventure.
I really needed this laugh. I have never snorted while laughing in my life…. Record smashed to pieces with this article. Hahaha.
This is pure genius. Thank you for sharing.
Your seven points make for good advice, but only for those with some chance of having their queries read. I’m convinced the straight-faced pledges on agency websites to read queries is nonsense. Without someone going to bat for the writer–one of the agency’s clients or a known writer–query submission is a black hole for everyone else. Except, of course, for those who peddle query-writing “aids.”