by Becca Puglisi
Have you ever fallen in love with a story villain? Or at least found yourself liking them somewhat against your will? Seems a little weird, experiencing all the happy feels for this character, but I think we’ve all been there.
When a villain is well written and well rounded, they can tug at our heartstrings just like the protagonists do. This can be cruel, since the villain is usually destined to fail. I say usually because stories can include a change of heart for the enemy.
Is this what you’d like for your bad guy or girl? Let’s take a peek at the villain’s journey and see what their path to redemption might look like.
Understanding Character Arcs: Positive Arcs
First, we need to have a basic understanding of character arc. In essence, this is the transformation a character goes through from the start of the story to the finish.
In the opening pages, she’s lacking something internally. Often, this comes out of a wounding event from the past — a trauma that was scarring. She was compelled to don emotional shielding to protect herself from the pain of that experience and any possible recurrence.
This emotional shielding comes in the form of bad habits, defense mechanisms, personality flaws, biases, and skewed beliefs. While intended to protect the character, that only creates more problems. They’re so destructive that they create a void in her basic human needs. This void leads her to pursue a story goal (outer motivation) that will fill that need. But her emotional shielding cripples her, keeping her from succeeding and becoming fully realized.
Throughout the course of a positive arc, the character recognizes those internal problems and begins to address and change them. This enables her to grow and deal properly with her past, eventually ensuring that she meets her goal and achieves fulfillment.
Understanding Character Arcs: Negative Arcs
That transformation is the essence of a change arc. It’s the one most protagonists follow. But there’s another, lesser-used arc form that’s common for villains.
In a failed arc, the character is unable to overcome their issues and the demons of the past. She fails to make the necessary positive changes that would enable them to achieve satisfaction and fill their inner void. Characters following this arc end the story either back where they started or worse off than they were to begin with.
Very often, this is where you’ll find the villain in your story. She may be aware of the wounding event from her past, but she’s already tried to deal with it and has failed. Now she’s embracing her dysfunctional behaviors, believing they’ll make her stronger. Or she may never have faced her past and is living in denial, refusing to address it. Either way, she’s destined to continue living an unfulfilled life that lacks closure — unless she’s given the opportunity to try again, and this time, succeed. Then…redemption.
How To Go About Redeeming Your Villain?
So as an author interested in redeeming your villain, you first must know her backstory, which will tell you what she’ll have to overcome to succeed.
- What wounding event from the past profoundly impacted her?
- How did her view of herself or the world change because of it?
- What new behaviors, beliefs, habits, and responses developed as a means of protecting herself from a recurrence of that event and the negative emotions associated with it?
There’s a lot of backstory to explore, but questions like these will get you started. The Character Builder at One Stop for Writers is also great for unearthing a villain’s buried trauma, identifying their strengths and weaknesses, figuring out which talents or skills would benefit them, and so forth.
Once you’ve got a clear vision of your villain’s history, you can use one of the following techniques to get her back on the road to healing.
Redemption Path #1: Elevate the Stakes Associated with Unmet Need
Need is a primary motivator for all people. A void in the human needs department will push the character to take action to alleviate it; this typically means facing past pain and becoming vulnerable again.
But a villain won’t want to go there. Instead, she denies or avoids her past, distracting herself by pursuing other goals and interests. To turn her around, poke that sore spot; make that unmet need really hard to ignore. Create a situation that makes her painfully aware of her lack and forces her to reconsider her position.
As an example, look at Darth Vader — the ultimate villain redemption story. He’s as dysfunctional as they come, haunted by his past, cut off emotionally from others. Then, he meets his son. Over the course of several clashes and conversations, something shifts in him, until he eventually chooses his relationship with Luke over everything else.
Figure out which of your villain’s unmet needs (there are probably several) is the most vulnerable, and create a scenario that amplifies it, making it a problem she must address.
Redemption Path #2: Reveal the Truth about the Story Goal
As we’ve discussed, outer motivations are chosen as a means of filling an unmet need. While most characters aren’t aware of their inner-need void, they subconsciously believe that achieving a certain goal will bring them happiness and completion. So they pursue it.
For instance, someone living without security may decide to get a better job that will enable them to move out of a dangerous neighborhood. A character lacking esteem might seek to prove himself by winning a competition or contest.
But self-awareness isn’t a common trait for villains. They’re incredibly unfulfilled, and they’ll avoid like the plague any emotions or circumstances that mirror their past pain. So your villain will choose goals that look promising but won’t ultimately satisfy. Avenging herself, amassing vast amounts of wealth and material goods, being feared by others—motivations like these won’t fill the inner void.
If she can be led to a place where she recognizes this unending spiral of pursuing goals, achieving them, and still being unable to escape her pain, she may become motivated to look at other options. Including facing the source of her trouble.
This is hard to do, since she’s set in her ways and her actions over time have piled up, making it very difficult for her to examine herself realistically. This process of self-realization can be encouraged with the help of a friend, associate, or even an enemy who is able to hold up a mirror that reveals the villain’s true reflection.
Redemption Path #3: Show How to Forgive
In the aftermath of a wounding event, it’s normal to examine it and try to figure out what went wrong. Very often in this process, the character will end up blaming someone else (a person, group of people, organization, system, etc.) Or she’ll find fault with herself — even if no one is to blame. Unwilling to face the truth, she dedicates herself to punishing those at fault, believing it will ease her pain.
In redeeming your villain, you must force her to see that her blame is misplaced and lead her to a place of forgiveness. Create a new scenario where the source of the villain’s blame proves to be upright or somehow bucks her stereotype. Allow a respected person in the villain’s life to forgive in extreme circumstances, undermining her beliefs about what true strength and weakness look like. This could also be achieved if one of the villain’s victims chose to forgive her.
Scenarios like these can shine a new light on her long-held beliefs and ideals about forgiveness, stimulating change.
Redemption Path #4: Recreate the Wounding Event
If your villain is unwilling to examine the trauma from her past, recreate it so she’s forced to deal with it—but provide a different outcome.
- Maybe, this time, she can see that her blame was misplaced.
- Perhaps the dysfunctional habits she’s embraced (her perceived strengths) fail to protect her. Then she realizes that they’ve been holding her back all these years.
- She might look at her own enemy and see similarities to herself, causing her to question everything that has happened since that fateful first meeting.
Final Tip for Redeeming Your Villain: Change Is Hard
Obviously, none of this happens quickly. Change takes time — particularly for someone so ingrained in their habits and false beliefs.
For the conversion to ring true, your villain will need numerous chances to change. Build them into your story while the protagonist is undergoing his own transformation. Give the villain ample opportunities to examine her trajectory and reconsider her path. These scenarios should trigger deep and unexpected emotions that eventually lead to a change of heart. Redemption for these characters usually requires some form of self-sacrifice as a way of making amends that often (but not always) results in their demise.
How your villain ends their story is up to you, but with these techniques, redeeming your villain is always an option.
by Becca Puglisi (@beccapuglisi) November 12, 2023
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What about you, scriveners? Have you thought about redeeming your villain? Do you ever fall in love with your villains and want to save them? Have you used any of these techniques in redeeming your villain?
For more on villains, see Ruth Harris’s post on Charismatic Villains.
About Becca Puglisi
Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and other resources for writers. Her books have sold over 1 million copies and are available in multiple languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world.
She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online resource for authors that’s home to the Character Builder and Storyteller’s Roadmap tools.
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Believe it or not, I have never created a villain. (Situations have been my villains.) But this will be helpful when one day I do write one.
Interesting! Thanks for bookmarking for future reference 🙂
Becca—Thanks so much for an interesting, thought-provoking post! Villains are frequently sexy. There is definitely something quite attractive about rule-breakers…aka the “bad boy/girl.” Why else does the bad guy stick in our minds? Reminds me of an old line/title about a school play (IIRC): The Snake Has All The Lines.
I personally am not a fan of stories that make me cheer for the antagonist (antihero stories, etc.). But there’s so much value in making them relatable, giving them something that makes you empathize with them.
“But self-awareness isn’t a common trait for villains.” Interesting point. I can see having an epiphany resulting in self-awareness could be a major character arc turning point for a villain. Thanks! BTW, I’ve long been a fan of your work, Becca. Happy Sunday to Anne & Ruth!
Thanks for this. I really like the places my brain went while reading this post. My villains tend to be the misinformed types who might be fine people if they had “better intel” — these character arcs are good trees up which to bark. Thanks.
There are so many ways to craft a great villain. Exploring all those different avenues keeps them from getting stale and repetitive.
Wonderful post, Becca. As a mystery writer, my villains aren’t identified until the end of the story, so there’s less chance to delve into their past failures in the course of the plot. But you’ve given me some good ideas for future stories.
What a great point, Kay. Mystery villains would definitely be harder to redeem since, as you say, they’re mostly revealed at the end of the story. If someone wanted to “save” those villains, they’d probably need a different story structure, possibly with the villain sharing narration and being one of the viewpoint characters. Definitely, the reveal would have to come earlier, which changes things.
These are some interesting ideas! I must admit, I love a well written villain, especially if they are not pure evil but… people who had their reasons. I don‘t need them redeemed all the way. Sometimes they are just too good at being bad. But your tips are still good starting points to make a villain a bit more likeable. My current story has no real villain, but I will get around to that evil overlord fantasy and than I‘ll be coming back here.
“I don’t need them redeemed all the way.” This is great. I think many villains are improved when we simply make redemption possible. Just planting the idea for readers that the villain could change is enough to make them wonder and maybe hope for better things.
It’s so nice to meet you, Garry!
Really good post. I’ve always been fascinated by the “why” of villainy. What makes a person spend their energy on doing evil instead of doing good? When I write, I always have the antagonist’s backstory in mind.
Sounds like you’re on the right track already. Thanks for reading!
Thanks, Becca. I always enjoy your posts and follow you on Writers Helping Writers.
The thing with many villains is they try to find the easy way out. It’s easier to steal than work a 9 to 5. It’s easier to hate than to forgive. It’s easier to blame someone else. They don’t like to give much of themselves and are good at camouflaging their weaknesses. And that’s the thing. Every villain must have a weakness as much as the protagonist has to have flaws.
Also, many are the hero in their own minds. They are great at justification. Most couldn’t get through the day without at least one rationalization for the evil they do. In fact they don’t recognize it as evil. I guess that’s the self-awareness thing.
I love a good redemption story. You’ve given me much to think about.
This is fantastic! You don’t often see advice on how to let the villain have a positive character arc. Love this.