
Choosing the right font takes skill
by Jessica Bell
A good designer will know exactly what style of font suits your design and genre, but if you intend to design your book covers yourself, there are some things worth knowing about fonts before you get started.
I’m pretty sure you’ve seen covers on which you just “know” something is not working and you feel that the design looks amateurish, but you can’t put your finger on it. More often than not the issue is with the typography. Sometimes font choice is the only thing standing between a successful vs. failed cover design because the imagery might actually be worth keeping.
Five fonts to (please) avoid
Have you ever heard indie authors laughing and joking about Papyrus, and how it screams amateur? It’s been labelled:
“the king of bad fonts.”
I agree. It doesn’t look good on anything.
There are a few other fonts that designers believe you should avoid if you want to be taken seriously, and those are:
These are the five serious offenders in my opinion, but if you search for “fonts to never use on a book cover” you’ll find many more offenders and opinions about them. This post is rather entertaining.
Text and image synergy
You also need to consider the placement of your text. A good cover designer will design imagery and text simultaneously so that they complement each other and seamlessly combine with each other.
Here’s an example of what I mean:
See how the text is a part of the design, and not just on top of the image?
This is why it’s a challenge (and usually more expensive) to approach a designer with a ready image or illustration that was not originally produced by someone who is familiar with book cover design.
You cannot just grab an image and slap text on top of it. Well, you can, but the result will more often than not resemble something an author put together quickly on Canva, which unfortunately screams all the negative things people have to say about self-published books. (And some small presses too!)
You need to compete with all the traditional publishers who have huge budgets to play with, and all the authors who believe you are ruining their reputation because you decided to take shortcuts and skimp on quality.
The importance of genre in book cover design (and therefore font choice)
As a designer, it’s not really my place to be offering advice on book content (though I could since I’m an author and a publisher too), but it is my place to be commenting on target audience. Genre leads to target audience and target audience leads to design.
I was once asked to design a book cover for an “old American comic book sci-fi/fantasy manga mix graphic novel.” There’s absolutely nothing wrong with writing multi-genre books. I write multi-genre books. But choices need to be made regarding who you intend to market the book to. Of course, it can end up reaching a wide range of audiences, but it also needs to start somewhere solid first. Where was I supposed to start with this design? Old American comic? Sci-fi/Fantasy? (Even those two can differ drastically.) Manga?
Best to be clear about your genre before launching into the design of your book cover.
Using font to signify genre
If there is a specific genre of book that you are a big fan of, you may have noticed that similar fonts are consistently used on their covers. As with common design elements, such as dark houses with lit windows on psychological thrillers (also notice the colours!) there are specific fonts (and font styles) that are commonly matched with various genres.
Various psychological thriller bestsellers on Amazon which all use Sans Serif fonts. These are not my designs.
Here are some common font classification matches (a nice description of these font classifications can be found here):
- Serif: Literary, Historical, Contemporary, Women’s Fiction, Nonfiction, Memoir
- Slab Serif: Literary, Sci-Fi, Horror, Thriller
- Sans serif: Contemporary, Historical, Thriller, Sci-fi, Nonfiction
- Script: Romance, Women’s Fiction, Historical
- Decorative: Fantasy, Paranormal, Historical, Sci-Fi
- Handwritten: Romance, Chick Lit, Literary, Contemporary, Memoir
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Covers by Jessica Bell Designs
These are very broad matches, but Creative Indie has a fabulous resource which gives you a nice list of actual font names and which genres they are commonly used for.
Also, some really enlightening information about font psychology can be found here, which can be very useful for nonfiction and branding.
There is no hard fast rule about these, but it’s a place to start if you’re unsure. Designers and publishers are getting more ambitious nowadays and starting to create new trends, so if in doubt, get advice from a professional designer to steer you in the right direction.
Take cover design too lightly and you may annoy readers and garner bad reviews
Have you ever been so in love with a book cover that you couldn’t resist buying the book? And when you read the book, it was nothing at all like you expected and you ended up disappointed even though it was technically a good read? I have.
This hypothetical book could have sold thousands of copies because the cover was so enticing, but there’s a problem. All the review sites have lots of one and two-star ratings. And is this because the book was bad? Maybe not. But maybe the cover was giving a false impression of its contents. Maybe the design implied erotica, but it was actually quite a clean wholesome romance. Are you willing to jeopardize your reputation for income? Yes, sex sells, but think wisely. Because you may not be so lucky with your next book.
Last words
Don’t forget the key word in target audience. The arrow cannot hit more than one circle with one shot. And sometimes, one shot is all you have.
by Jessica Bell (@iamjessicabell), November 20, 2022
What about you, scriveners? Do you pay attention to the font used on a book cover? Have you ever bought a book with an enticing cover that turned out to give a false impression of the content? Do you have an emotional response to some fonts? NOTE: Jessica is in Greece, and not in the same time zone as most of us. She will be responding on what’s Monday morning for a lot of us.
About Jessica Bell
Jessica Bell is an Australian multi-award-winning author/poet, a highly sought-after and award-winning book cover designer who is recommended by Dave Chesson of Kindlepreneur, Makeuseof.com, John Fox of Bookfox, and more. She is also a singer-songwriter.
Her latest book is called Can You Make the Title Bigga? The Chemistry of Book Cover Design.
She is also the Publisher of Vine Leaves Press, and currently resides in Athens, Greece, with her partner and son, and a pile of dishes that still don’t know how to wash themselves despite her consistently teaching by example.
For more information visit: iamjessicabell.com
Can You Make the Title Bigga?
Buy the book at Vine Leaves Press.
Understand the chemistry of book cover design in Can You Make the Title Bigga? by award-winning book cover designer, Jessica Bell, who is recommended by Dave Chesson of Kindlepreneur, Makeuseof.com, John Fox of Bookfox, and more.
Are you self-publishing? Can You Make the Title Bigga? will inspire you with practical, actionable advice and information.
Work in marketing or graphic design in a publishing house? It offers an invaluable resource.
Studying graphic design? Already designing book covers professionally—or with dreams of doing so? Find inspiration for designs, workshops and classes.
From Jessica Bell’s witty, kind, and thoughtful perspective, you will discover:
- why book cover design is so important, whether you’re self-published, indie, or traditionally published
- the elements of an eye-catching, professional cover design
- how to research and choose potential book cover designers
- some of the biggest challenges an author and a designer face during a collaboration
- the balance between creating a book cover the author loves, the designer loves, and a potential reader loves
- how to prepare for a collaboration
- how to ensure a smooth sailing collaboration
- costs and recommended designers
and much more!
Includes over 100 color book cover design examples and information about project agreements, how to obtain puff quotes for your book, how to obtain ISBNs, a list of standard trim sizes, and binding options.
More About Jessica Bell
For more of my book cover designs, check out my design website jessicabelldesign.com and my publishing house website vineleavespress.com.
Subscribe to my newsletter: bit.ly/JBDsignup
Connect with me on social media:
Instagram: @jessicabelldesign and @yesiamjessicabell
Twitter: @iamjessicabell
Facebook: @jessicabelldesign and @jessbell.vineleaves
YouTube: youtube.com/c/msbessiebell
LinkedIn: linkedin.com/in/jessicacarmenbell
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Featured image: Wikimedia
Hooo boy, people need to read and heed this.I get that writers want their book to stand out and be different, but if you can’t even read the title it’s not helping.
DD–Thank you so much for reading and supporting my opinion!…Jessica
Hey Jessica!
Glad I don’t have to worry about book cover fonts. I have seen some bad ones. Although I find some of the fancy ones, even in a couple of the samples to provided, to be overkill and hard to read.
Hey Alex. Long time no speak. 🙂 If certain covers don’t appeal to you, it’s a sure sign that you are not the target audience. Those ‘fancy’ ones are bestsellers because they hit the right mood for their targeted readers….Jessica
Jessica—thank you for such great advice and valuable guidance cuz, yes, people *do* judge books by their covers!
Thank you, Ruth!…Jessica
Bang-on information, Jessica. Thanks for this piece. I’m with Ruth. (BTW – Happy Sunday, Anne & Ruth) People most certainly do judge books by their covers. In my indie infancy, I cheaped-out and tried making my own covers. Bad idea. It had the same artistic impression and effect as cutting my own hair. One comment on fonts. I really don’t think Old English should be used.
Thanks for the support, Garry! Yup, totally agree about Old English…Jessica
Great post. I’m a bit of a font-geek myself. Though I have no professional training, my eye agrees with everything said here.
Thanks for reading and for the support, CS…Jessica
Hi Gary! Well, I cut my own hair AND design my own book covers. Currently working on novel #5. Happy National Peanut Butter Fudge Day! (maybe not in Canada 😉
Brilliant that you’re able to do that. Thanks for reading…Jessica
I write and self-publish nonfiction (self-help) books. This article really doesn’t give any information about the fonts to use.
But I won’t worry too much about it. I have always operated by this adage:
Do It Badly — But at Least Do It!
That has been the key of my success.
I also know that the most important element of a cover is the title. David Chilton, whose self-published books have sold in the millions, agrees with me. Along with that, the inside content of the book is the important element that creates word of mouth advertising and helps the book sell for years like my “The Joy of Not Working” that was self-published in 1991 and still sells better each year than over 95 percent of the new books released today.
For the record, my 17 books (mainly self-published) have sold just a touch over 1,092,000 copies and have been published in 22 languages in 29 countries. I am 73 years old and want to write and publish 25 books in my life. My next book launch in the next six months is going to be for three new books.
Congrats on your success, that’s wonderful!…Jessica
Useful – thanks.
Thanks for reading. 🙂 …Jessica
Great post, Jessica!
I have a question: how can you find the fonts that are really ‘free’ for self-published authors to use? (I already have your book so if the answer is in there, I’ll find it. Love the title, BTW.)
Great post. I’m a bit of a font-geek myself. Though I have no professional training, my eye agrees with everything said here.
Thanks for the article, I really enjoyed it even though I have used some of those fonts in the past.
I did wish to make a small point; it also depends on what you are writing. Many years ago, I bought the rights to several defunct American Sci-fi and fantasy magazines that were produced in the sixties and seventies as I had enjoyed them so much as a boy. I knew from the net that there were many more fans of “Uncanny Tales”, “Astounding Stories Amazing tales” etc. out there.
When New issues are released now, we try to keep them as true to the originals as possible. Lurid Colors, sixties, and seventies Fonts. The next edition of “Tales from beyond the grave” The title is lime green in “chiller” font.
Lol- but otherwise I agree completely.
All fonts have a place, even comic sans, but yeah, not on a book cover.
Oh yes! The cover is a promise. And those beautiful covers that deliver something else breaks that trust. It can be damaging for future books too.
Hi Jessica! Long time no see (Southpaw).
Hi Linda! There are a lot of free fonts online. But they are all mixed in with the ones you need to license. You need to look for fonts that say, “Free for commercial use.” This is a decent site: https://www.1001freefonts.com/, but even still, if it says “Free for personal use” you still can’t use it on your book. If it just says “free” then you can. Thanks for your kind words!
Hi Valhalla! Thanks for your kind words!
Hi Raynayday, Haha re chiller font. Well … there is an audience for everything, I suppose! 🙂 Thanks for reading.
Hi H. R. Sinclair! Wow, yes, it’s been a while! Thanks for reading. 🙂 Yeah … as I said to Raynayday, there is an audience for everything. And opinions are subjective.