How to make your literary journal submission jump from the slush pile
By Meredith Allard
I’m the executive editor of The Copperfield Review, a literary journal for readers and writers of historical fiction. Since 2000, I’ve read thousands of submissions of historical short stories and history-based poems.
Despite what you might have heard, literary journals are still flourishing. While it’s true that many journals have closed, it’s also true that new journals spring up every day. Readers, particularly those who love short fiction and poetry, still read literary journals.
Writers, whether they are traditionally or independently published, still like to see their work published in literary journals as a great way to build a reputation and a career. If you love to write short fiction and poetry, and many writers do, then literary journals are still the best option for getting eyeballs on your work. Many beloved writers got their start publishing in literary journals.
If you’re looking to publish in literary journals, there’s one important fact to keep in mind: most of them receive far more submissions than they can publish, which means that many authors are vying for few available slots.
One little-known secret (or perhaps it’s not so little-known) is that editors are looking for easy reasons to turn down a piece as they weed through hundreds of submissions. If you want your submission to have the best chance of being published in a literary journal, here are six tips to consider.
Tip #1: Read the Submission Guidelines on the Journal’s Website
I know it’s tempting to go by the guidelines stated in literary journal listings like Duotrope or Writer’s Market, but editors’ needs can change suddenly so they will change their guidelines on their websites even though that change may not be reflected in the listings.
Literary journal listings are great places to find journals that look interesting, but writers should always check the guidelines on the journal’s website prior to submitting. Editors judge submissions on their current guidelines, not the guidelines in a year-old listing.
Tip #2: Send Your Most Polished Work
It takes discipline to keep reworking a piece until it’s polished and ready to submit, especially since the revising process can take weeks or even months. Still, you don’t want to rush the submitting process.
Learn about the elements of a short story. Run your work by a critique group if you have a group that you trust. Take writing classes. Read some great short stories and examine their greatness. Develop an ear for well-written dialogue. Wordy, unwieldy dialogue is a frequent problem we see in submissions at The Copperfield Review.
Give yourself time to grow into the writer you want to be. I know we live in the “I want it now” era, but there’s no rush. You’re on no one else’s timetable but your own. Make sure your story is the best it can be before you send it off to editors.
Tip #3: Proofread any Literary Journal Submission
One or two missed typos won’t ruin your chances for an acceptance — we all make mistakes — but an entire page of typos will result in a rejection.
Sometimes it’s hard to catch our own mistakes because our eyes see what they expect to see, and they expect to see what we meant to write. Maybe you meant to write ‘she’ instead of ‘the’ but your finger went to the right instead of the left and you know how it goes.
It’s helpful to have another set of eyes proofread your work. Whether it’s a friend with a firm grasp of language and spelling or you hire a professional editor, someone else will often catch those pesky typos before you do.
Tip #4: Check to See What Type of Stories the Journal Publishes
The Copperfield Review is a journal of historical fiction, yet we’ve received some sexy-time contemporary romances as submissions. There’s nothing wrong with that style of writing, but it’s not what we publish. That’s one rejection letter the writer wouldn’t have received if they had checked our website.
If you write science fiction, seek out science fiction journals. If you write mystery, humor, inspiration, sexy-time romances, poetry — whatever it is, more than likely there’s a journal out there that publishes it.
Tip #5: Read the Submission Guidelines
Did I say this already? Okay, yes, I’m repeating myself here, but I can’t stress enough how important it is to read the submission guidelines and follow them exactly as stated.
I understand that submission guidelines can seem petty, even vindictive — you know, a way to make writers miserable. What does it matter if the guidelines ask for a third-person bio and I send in a first-person bio or no bio at all? What does it matter if I send in three poems at a time instead of one? But those guidelines exist for a reason, and editors notice when writers don’t follow them.
Maybe the problem is the word guidelines, which sounds more like submission suggestions. They are not suggestions. Editors need some semblance of sanity, a method to our madness to help us sort through the submissions.
If the guidelines state that the word limit is 3000 words, then make sure your submission is 3000 words or less. Less is better. Trust me. I advise against emailing the editor and saying, “My piece is 3400 words. It’s not much over the submission guidelines. Will you consider it?”
The answer will be no. Many editors work with tiny staffs — tiny meaning one other person. Many editors also have other jobs, families, writing projects, and life obligations. We have to draw the line in the sand somewhere. The line in the sand is clearly stated in the submission guidelines.
Tip #6: Be Professional
Professionalism doesn’t refer to how many publications a writer has, or even if a writer has been previously published at all. Some of the most professional writers I’ve worked with were writers who had never been published before. They made sure their submission was right for our journal, they were a pleasure to work with, and we were proud to be their first published credit.
A writer who sends in a piece that follows our guidelines and sends and responds to emails with courtesy will always stand out in a good way. This should be a no-brainer, I know, but not all writers conduct themselves professionally.
Skip the Rude Emails
Demanding a response to a submission sent last week will not be received kindly by any editor I know. Especially when it states in the guidelines how long it should take to receive a response.
Rude emails about why that writer’s piece was right for the journal and how dare we turn it down, or rude emails about how we’ve published that writer before and how dare we turn them down this time, will be laughed at in a hearty, boisterous manner as our editor fingers hit the delete button as quickly as humanly possible.
We Know Rejection Stings
As a writer, I’ve felt it many times as I’ve received my fair share of rejections. If you don’t have the stomach for rejection letters, then reconsider a literary journal submission. It’s probably not for you. The key is to remember not to take it personally. Easy to say, I know, but not as easy to do.
Sometimes a piece is turned down because it isn’t right for the tone of the journal or it’s simply not to an editor’s taste. Sometimes it’s the timing. A piece we might have published at a different time ends up being turned down because we recently published something similar.
It’s not a reflection on your talent or that particular story. It just means that story wasn’t right for that editor at that time. Exhale, re-center yourself, and send your story off again. And again and again until you find the right home for it.
Remember those Submission Guidelines?
Submissions that follow the journal’s guidelines are the ones that editors consider for publication. Professional writers show that they take their writing seriously, they care about presentation, and they make the process easier by giving editors what they ask for.
It isn’t hard to send in a strong submission to a literary journal. Be professional, send your best work, and follow the guidelines. If you can do those things, the sky is the limit for your writing career.
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by Meredith Allard, May 23, 2021
What about you, scriveners? Getting short pieces into literary journals is one of the best ways to establish yourself as a writer while you’re working on longer works. Have you sent out any literary journal submissions? Did you follow the guidelines? These tips also apply to submissions to blogs. Anybody who follows submission guidelines has a good chance of getting a guest spot here. But 99% of queriers don’t even bother to visit the blog. It gets old. So I know how Meredith feels. Do you have any questions to ask her?
Meredith Allard
Meredith Allard is the author of the bestselling paranormal historical Loving Husband Trilogy. Her sweet Victorian romance, When It Rained at Hembry Castle, was named a best historical novel by IndieReader. Her book Painting the Past: A Guide for Writing Historical Fiction was named a #1 New Release in Authorship and Creativity Self-Help on Amazon.
When she isn’t writing she’s teaching writing, and she has taught writing to students ages five to 75. Meredith received her B.A. and M.A. degrees in English from CSU Northridge and her Ph.D. from the University of Nevada, Las Vegas. She loves books, cats, and coffee, though not always in that order. She lives in Las Vegas, Nevada. Her website is at MeredithAllard.com. Here’s her Amazon author page. You can also find her on Facebook.
BOOK OF THE WEEK
Painting the Past: A Guide for Writing Historical Fiction
Do you want to write historical fiction? Join Meredith Allard, the executive editor of The Copperfield Review, the award-winning literary journal for readers and writers of historical fiction, as she shares tips and tricks for creating believable historical worlds through targeted research and a vivid imagination.
Available at Amazon
Hi, Meredith
Excellent point about the guidelines. An editor for an anthology I was short-listed for noted that not one person submitted looked at the link he provided for manuscript format. Eep. I use a template for the standard, but there must have been something different in that link. Always look at everything. Never assume you know.
With all the submissions coming in, not following the guidelines is a fast way to clear out the pile.
Hi Linda! Thank you so much for your comment. I agree with you that writers should look at everything in the guidelines and not assume that they know what to do, especially since every journal or anthology will have different requirements for submissions. Thanks again!
Meredith, thanks for an excellent post with so many helpful tips. I know our readers will appreciate—and profit from—your advice.
Hi Ruth! Thank you! I hope that writers can see that it’s not that hard to send in a great submission as long as they follow the guidelines. I love reading your posts on this blog!
I know authors who’ve built their career on short stories. Your tips show how that can be done.
After running numerous anthology contests for the IWSG, I know that following submission guidelines is really important and am stunned by those who really miss the mark.
Hello Alex! I absolutely agree with you that there are many authors who have built wonderful careers from short stories. The short story is still a beloved literary form for both readers and writers. I do wish I had a megaphone where I could shout “Follow the guidelines!” to every writer who wishes to be published in a literary journal. Thanks for your comment!
Nice to “meet” you, Meredith! Unprofessional writers blow my mind. Do they really think they’re helping their careers by sending nasty emails? Crazy. Thanks for the terrific tips. The same guidelines apply to agents and acquisition editors for publishers, as well.
Hope you’re enjoying your weekend! You too, Ruth and Anne. *waves*
Nice to “meet” you too, Sue! I’m so glad you found the tips helpful. I also wonder what writers think they’re accomplishing by acting unprofessionally. By and large, we’ve been lucky at Copperfield since we haven’t received an overwhelming number of rude emails. We’ve received enough to know that it can be a problem.
I hope you’re enjoying your weekend too. Thank you for your comment!
Absolutely.
In George Saunders’s recent book, *A Swim in a Pond in the Rain,” he notes, “There are many versions of you, in you. To which one am I speaking, when I write? The best one. The one most like my best one. Those two best versions of us, in a moment of reading, exit our usual selves and, at a location created by mutual respect, become one.”
Though he’s speaking of readers & writers, it seems to me editors deserve similar respect. Editors are, in the end, both readers & writers.
Great post.
What a wonderful comment. I appreciate that you speak of editors as deserving similar respect. I think unfortunately that some writers feel that they have an adversarial relationship with editors even though editors want writers to succeed in their careers. As you say, editors are readers and writers; that’s why we became editors in the first place–because we love wonderful writing and want to share it with others.
I have “A Swim in a Pond in the Rain” downloaded onto my Kindle and it’s next on my TBR list. After your comment, I’m looking forward to reading it even more.
Thank you for your comment.
Excellent post, Meredith. I appreciate the perspective from the editor’s side.
I am sure it is a tough job.
Still, without editors, where would we all be?
Thank you.
Thank you, Ingmar! You’re right–editing can be a tough job, but I continue to do it because even with the challenges, there are a lot of rewards. There’s nothing like being the first published credit for a new author and knowing that we helped to launch new writing careers. Thank you for your comment!
Thanks Meredith and Anne for this excellent post! I think tips 1 and 4 are the most important. Even though I send out 100 or more submissions in a year, I still make mistakes on the rare occasion because I missed something important in the submission guidelines. Hopefully now with 45 short stories and 21 essays published, I have practiced enough to make fewer such errors!
I know I’ve certainly made mistakes when submitting to other journals, Gargi. I agree that one and four are of particular importance, especially since writers shouldn’t rely on journal listings that might be out of date. It sounds to me like you’re doing a great job submitting your work. Wonderful! Thank you so much for your comment.
I have students who simply do not get that they have to follow the rules. I have heard, “If my work is good enough, the rules won’t matter.”
That old cliche’ about leading horses to water comes to mind.
Yeah, yeah. Another great post. I’m getting the idea this is the best blog I have found. And thank you.
I’m right there with you, Mark. I’ve also taught writing students who don’t understand the importance of following the guidelines. They don’t seem to get that if they don’t follow the guidelines, it doesn’t matter how good their work is, it won’t be read, let alone considered for publication. I agree with you that this is a great blog. I’ve been following Anne for years and this is one of the few blogs I keep going back to. Thanks for your comment.
Phew – glad I read the Guidelines! Love what you do.
The good ones always do read the guidelines, Rosie, and your story was a pleasure to both read and publish. If anyone wants to read Rosie’s wonderful story, The Gospels of Innish Bawn, here it is: https://copperfieldreview.com/?p=5135
Some things I learn quickly; others, not so much. But one thing I did learn within a year after my first acceptance. I spoke at a small local writers’ conference, many unpublished hopefuls. I told them, among other things “Editors’ guidelines aren’t really guidelines. They are absolute rules, carved in stone, and you need to treat that way.”
Thank you for the tips, Meredith. I always need reminders…and I suspect I’m not alone.
That is wonderful advice you gave your students, Fred. You’re right–they are rules rather than guidelines. I think we all need reminders every once in a while. As a writer myself, I know I certainly do!
Thanks for the informative post!
I’m so glad you found it useful, Gail!
I know #4 and 5 are kind of obvious but, since you mentioned them, maybe not so much. ? Also, “don’t be rude” is like…I’m sorry that’s even on your list. Lots of good info here, Meredith. 🙂
Thank you, Sarah! Yes, I agree with you that it should be obvious how to treat others but occasionally some writers do forget. I’m lucky because the vast majority of contributors to Copperfield are wonderful. I think some writers hear of a journal and send their work off without taking a few minutes to look up the journal. Thank you for your comment!
Thanks for these tips, Meredith. It’s all pretty obvious, isn’t it? But when I was a Competitions Manager for the Association of (British) Christian Writers, I was shocked by how many writers failed to notice even the most obvious guidelines, like send a cover sheet and send the (bleep bleep) thing in Word format.
Great to see you here, Rosemary! Yes, (bleep bleep) is a great way to refer to such things. I love it. I think that some writers want to send a blanket submission to every journal they submit to, but we are lucky at Copperfield because the majority of our authors are wonderful people who do take the time to send in a strong submission. Thanks for your comment!